Monday, December 19, 2022
Are Finger Guns Period?
Sunday, December 18, 2022
Scroll Text - Padraig O'Branduibha - Step Down Scroll 2022
Scroll Text - Padraig O'Branduibha - Step Down Scroll 2022
Kingdom of AEthelmearc - Service AwardScroll Text - Eleanor Godwin - Tangled Rose 2022
Scroll Text - Eleanor Godwin - Tangled Rose 2022
Friday, December 16, 2022
More notes on Mad Cheese Science
More notes on Mad Cheese Science
Just some further notes on my mad cheese science experiment. This is basically to help me codify my mental notes for my next batch, so that I don't have to sort through pages of notes looking for the oven temperature I used.
I made a double batch of tarts for Baronial Investiture this weekend. I plan on foisting them on several people to get their opinions. I think that I have a winning combination of flavor and texture and I don't think I need to make any more changes. The goal was produce something that met the guidelines of the following recipe:
For flaunes.Take new chese and grynde hit fayre,
In morter with egges, with out dysware;
Put powder þer to of sugur, I say,
Coloure hit with safrone ful wele þou may;
Put hit in cofyns þat bene fayre,
And bake hit forthe, I thee pray.
For tarts.
Take new cheese and grind it fair,
In [a] mortar with eggs, without doubt;
Put powder thereto of sugar, I say,
Color it with saffron quite well you may;
Put it in coffins that are fair,
And bake it forth, I thee pray.
And be a luxury treat for the upper crust of society. It needed to be made with ingredients found in the 15th century and could be made entirely by hand: no modern electronic devices. I think that I hit every check box on my list.
Fair coffins:
This was done a couple of days before I planned on filling the shells, so I parked the shells in the fridge.
Saturday, November 26, 2022
More Mad Cheese Science.
Thoughts on Pie Crusts.
Continuing experiments on what crust to use for my rhyming cheese tarts. To recap, the recipe I am working off is is from the 15th century Liber cure Cocorum:For flaunes.Take new chese and grynde hit fayre,
In morter with egges, with out dysware;
Put powder þer to of sugur, I say,
Coloure hit with safrone ful wele þou may;
Put hit in cofyns þat bene fayre,
And bake hit forthe, I thee pray.
For tarts.
Take new cheese and grind it fair,
In [a] mortar with eggs, without doubt;
Put powder thereto of sugar, I say,
Color it with saffron quite well you may;
Put it in coffins that are fair,
And bake it forth, I thee pray.
The Second part of the good Hus-wiues Jewell (1597)
To make fine paste. Take faire flower and wheat, & the yolkes of egges with sweet Butter, melted, mixing all these together with your hands, til it be brought dowe paste, & then make your coffins whether it be for pyes or tartes, then you may put Saffron and suger if you will have it a sweet paste, hauing respect to the true seasoning some vse to put to their paste Beefe or Mutton broth, and some Creame.Fourme of Curye (1390)
take blank suger & ayroun & flour & make a past with a rollereHarleian MS. 279 (1420):
.iv. Chawettys FryiddeTake & make fayre past of flowre & water, Sugre, & Safroun, & Salt
.xiiij. Pety Pernollys.
Take fayre Floure, Safroun, Sugre, & Salt, & make þer-of past
.xx. Pety Pernauntes.—Take fayre Flowre, Sugre, Safroun, an Salt, & make þer-offe fayre past & fayre cofynges;
Harleian MS. 4016 (1450):
Pety pernantes.Take faire floure, Sugur, Saffron̄, and salt, and make paast þer-of; then̄ make small Coffyns
Chewettes
Take and make faire paste of floure, water, saffron̄, and salt; And make rownde cofyns þere-of...
A Proper newe Booke of Cokerye (1557):
To make pyes of grene apples; make youre coffyn after this maner, take a lyttle fayre water and half a dyche of butter and a little Saffron, and sette all this upon a chafyngdyshe tyll it be hoate then temper your flower with this sayd licuor, and the whyte of two egges and also make your coffynA Book of Cookrye (1591):
How to bake Sparrowes or other small birds.Make paste of fine floure, egges, butter and faire water, therof make Coffins
How to bake pyes of Calves feet.
then make your paste of fine flower with yolkes of Egges, and raise the Coffin square
How to make Chuets.
then take fine flowre, yolkes of Egs, and butter, a little quantitye of rosewater and sugar, then make little coffins
The good Huswifes Handmaide for the Kitchin (1594 & 1597):
Take fine flower, and lay it on a boord, and take a certaine of yolkes of Egges as your quantitie of flower is, then take a certaine of Butter and water, and boil them together, but ye must take heed ye put not too many yolks of Egges, for if you doe, it will make it drie and not pleasant in eating: and yee must take heed ye put not in too much Butter for if you doe, it will make it so fine and so short that you cannot raise. And this paste is good to raise all maner of Coffins: Likewise if ye bake Uenison, bake it in the paste above named.
I might try to work the crust more to form more gluten (and dock it in the tart shells when I blind bake it), but I am inordinately pleased with how these turned out, considering that I know next to nothing about pie crusts and that this was my first attempt to make a crust from scratch.
4) Go down as many rabbit holes as possible.
labour value of that commodity is £2,519.00
income value of that commodity is £7,446.00
Monday, November 14, 2022
Wednesday, October 12, 2022
Scroll Text - Petition to the Crown - 2022
Scroll Text - Petition to the Crown - 2022
Saturday, September 3, 2022
Scroll Text - Amalie Reinhardt - Fleur 2022
Scroll Text - Amalie Reinhardt - Fleur 2022
Kingdom of AEthelmearc - Fleur de AEthelmearcScroll Text - Conchobar na Feasoige - Golden Alce 2022
Scroll Text - Conchobar na Feasoige - Golden Alce 2022
Kingdom of AEthelmearc - Martial Award
Saturday, August 13, 2022
Mad Cheese Science
More notes on Rhyming Cheese Tarts
Starting experiments on what cheese to use for my rhyming cheese tarts. To recap, the recipe I am working off is is from the 15th century Liber cure Cocorum:
For flaunes.Take new chese and grynde hit fayre,
In morter with egges, with out dysware;
Put powder þer to of sugur, I say,
Coloure hit with safrone ful wele þou may;
Put hit in cofyns þat bene fayre,
And bake hit forthe, I thee pray.
For tarts.
Take new cheese and grind it fair,
In [a] mortar with eggs, without doubt;
Put powder thereto of sugar, I say,
Color it with saffron quite well you may;
Put it in coffins that are fair,
And bake it forth, I thee pray.
So, this first round of experimentation is to determine what kind of cheese to use. The recipe calls for "new" cheese. Which would exclude aged cheeses. Please read through my initial thoughts on this project for details about cheesecakes and the like.
So, 'Cheesecakes made of ground cheese beaten up with eggs and sugar, coloured with saffron and baked in cofyns or crusts.' Very vague. I would conjecture that any fresh cheese could work. Aged cheese could be transported over long distances, but fresh cheeses are very local things: made and consumed within days, in the days before refrigeration. Cheeses are also very localized. Every location in the cheese making world has cheese unique to that region. So, I don't need to look for a particular brand of cheese, I just need to figure out what type of cheese to use. I decided to experiment with three types of cheeses that can be called "new". Cheese curds. "Dry" ricotta", and basket cheese. Firm, spreadable, or soft.
For all three experiments I used one chicken egg, the equivalent volume of cheese, one teaspoon of sugar (except for the curds: see below), one pinch of saffron threads bloomed in 2 tablespoons of warm water. I also used pre-made phyllo dough shells just because I'm lazy. I mean, I used a standard, pre-made pastry shell so that all tarts would be uniform in size and would bake evenly.
Cheese curds:
Dash's had a sale on cheese curds, so I bought a package. I microwaved the water and let the saffron bloom while the toaster oven heated up. I used my toaster oven because I was only going to be baking ten tarts at a time and the toaster would heat up faster.
The first step was to grind the cheese curds with my mortar and pestle. This was a problem: the curds were very firm and did not want to be ground.
I had to cut up the curds, with a knife, into small pieces so that I could turn them into a paste. This took about 15 minutes. I spent so much time trying to mash up the curds that I forgot to add any sugar. I suppose that the sugar could have helped break down the cheese. Oh well. I didn't realize this until after I had baked the tarts. I also didn't heat the water enough for the saffron, it didn't bloom very well.
I scrambled the egg and added the cheese and saffron water. Based on modern egg tart recipes, I decided to use a whole egg, rather than just the yolk or white. In addition, the recipe calls for eggs, not egg yolks or egg whites. I mixed the egg, cheese, and saffron water with a fork, then spooned the mix into ten phyllo dough shells.
Looking at modern egg tart recipes calling for the same shells, I loaded the shells, while still frozen, and baked at 350F for 8 minutes.
After 8 minutes the edges of the shells were brown and the filling was puffy and solid. I let them sit for five minutes before tasting. This was when I discovered that I had left out the sugar.
The texture was nice and it tasted fine, but it wasn't a cheesecake. It was more of scrambled eggs with bits of cheese. The saffron flavor was very subtle and they turned out a pale yellow. They weren't bad, but not what I was looking for. The cheese curds were just too firm to integrate with the egg to form a cohesive filling. So, cheese curds are a no.
"Dry" Ricotta:
12 Minutes of baking did the trick. The filling was fully cooked and set. It had a better aroma and texture than the cheese curds. As to the flavor, very nice. However, the flavor of the ricotta was very pronounced. Not a bad thing, but one could definitively identify the cheese as ricotta. The strong flavor did over shadow the saffron. The sugar did sweeten the tart, almost like a mascarpone cheese, but not as sweet. Delicious, but I'm not sold on the ricotta flavor. The texture of the cheese and the ease that it mushed up was head and shoulders above the cheese curds.
Basket Cheese:
The basket cheese was firmer than the ricotta but no where near as firm as the curds. It also had a mild, fresh flavor. And with a hint of salt, something that wasn't listed in the recipe. I think that a small bit of salt would enhance the flavor of these tarts. Another egg scrambled and two tablespoons of the basket cheese went into the mortar, long with one teaspoon of sugar.The basket cheese took more effort to mush up than the ricotta but no where near the effort needed for the cheese curds. Like the ricotta, the basket cheese picked up the remains of the saffron. I did have to use a spoon to scrape down the sides to make sure that the cheese and sugar was well mixed.
Cheese, sugar, and saffron water went into the mug with the egg and were well mixed. There were small pieces of cheese floating in the egg. The mixture went into ten shells and then they went into toaster oven.
I set the timer for 12 minutes, figuring that these would take as long as the ricotta. After 12 minutes they were puffy but still a bit wet on top.
They needed another minute before they set.
After five minute of rest, the puffiness settled down. The color is lovely.
These are the clear winner. The color is perfect. The aroma is excellent. And they taste like a cheesecake. Not as sweet or as firm as, say, a New York style cheesecake but in that ball park. The texture was as good as the ricotta, but the mild nature of the basket cheese doesn't over power the taste of the saffron. There is no hint of salt in the finished tart, but I think that it is definitely enhancing the flavor of the filling. I think I will stick with the basket cheese, as I am very happy with the result. I'll use the ricotta for a pasta dish and snack on the cheese curds.
Grinding the saffron in the mortar before letting it bloom made a big difference, as did using hotter water with a longer bloom time. The color is lovely and I like how the threads of saffron are clearly visible in the filling. Their presence and the color would show diners how decadent these tarts were.
I do not know if scrambling the egg prior to mixing it with the cheese is the period method. If I were doing this with a stand mixer, I would add the egg to the cheese and sugar, and beat them together. Perhaps, in period, the egg was cracked into the cheese and sugar mixture and worked together by hand. I will experiment with my method, in future experiments. But, I will be sticking with the basket cheese and the whole egg: the end result was exactly what I was looking for. I don't know if I would add more sugar or not. If I plan on adding sugar to the coffin, I won't need to increase the sugar in the filling.
Sunday, August 7, 2022
Thoughts on rhyming cheese tarts
Liber cure Cocorum - For flaunes.
I need to write down some notes for a major research project before I start experimentation. These notes will eventually be part of an Ice Dragon Pent project. But, in the meantime, this will be a way to focus my thoughts and to avoid any extraneous rabbit holes.
On 2/27/22, on the facey-booky, I jokingly asked Mistress Cori Ghora, who was running the Ice Dragon Pentathlon that year, if I would get bonus points if I write my documentation in iambic pentameter. She replied, "No. Unless you can document why it would have been in iambic pentameter at the time and place your entry is from."
My exact response was, "*cracks knuckles* Challenge accepted. Next year's Ice Dragon prepare to be.... not amazed. What's the word? Confused?" There were some favorable comments on this chain. After some four hours of research, I found, not iambic pentameter, but an entire cookbook in rhyming couplets. The 15th century Liber cure Cocorum
For flaunes.
Take new chese and grynde hit fayre,
In morter with egges, with out dysware;
Put powder þer to of sugur, I say,
Coloure hit with safrone ful wele þou may;
Put hit in cofyns þat bene fayre,
And bake hit forthe, I thee pray.
For tarts.
Take new cheese and grind it fair,
In [a] mortar with eggs, without doubt;
Put powder thereto of sugar, I say,
Color it with saffron quite well you may;
Put it in coffins that are fair,
And bake it forth, I thee pray.
Saturday, July 16, 2022
Scroll Text - Simon Caminant - Millrind 2022
Scroll Text - Simon Caminant - Millrind 2022
Kingdom of AEthelmearc - Service AwardTuesday, July 12, 2022
Were Medieval European Swords Sharp?
Were Medieval European Swords Sharp?
Micro-research by Caleb Reynolds
One of the myths I have heard, since I was old enough to be interested in swords and all things medieval, was that European swords were not sharp in the middle ages. Only medieval, Asian swords were sharp. Captain Subtext steps in to tell us that medieval knights relied more on brute strength than on technique and good hardware. Sword "experts" claim, even today, that the technology to sharpen swords wasn't invented until the Renaissance and the birth of the rapier. One can go online and watch videos of non-experts claiming that the Japanese could sharpen a katana as sharp as a scalpel, but those ignorant Europeans just used "blunt crowbars".
Why is this so? One can say, "Oh course, they sharpened swords. It wouldn't be a good sword if it wasn't sharp." One can also say, "They knew how to sharpen knives, sickles, and wood planes, why wouldn't they sharpen a sword?" Excellent points. But is there any evidence that they actually sharpened swords? Unfortunately, most surviving medieval swords have corroded over the centuries, destroying any indication of how sharp the original edge was. The court swords that have been well maintained, such as Britain's Curtana, were never intended to be used in combat and were never given a sharp edge that might hurt someone during a ritual or ceremony.
We can infer that swords had to be sharp because people wore armor; we can see various types of armor to protect against thrusts, heavy strikes, and slicing attacks. Fighting manuals also mention cutting and slicing with one's sword. I.33, the world's oldest sword fighting handbook, uses the phrase, "and make a cut to the face" quite often when describing an attack/defense sequence. Surely, if the swords were blunt, there would be no reason to cut your opponent's face. I.33 also teaches us to use your buckler to protect your hand and arm from slicing attacks. A passage of "The Battle of Maldon" tells us that Byrhtnoth’s nephew, Wulfmær, was “slashed by the sword.” Not bludgeoned; slashed.
Medieval battlefields give us plenty of examples of injuries that could only have come from sharp swords. The remains from the Battle of Visby (1361) show an extraordinary number of lethal blows that clearly show that swords were sharp. The following image is from The death of a medieval Danish warrior. A case of bone trauma interpretation by Eva Forsom, Lene Warner, Thorup Boe, Bo Jaque, Lene Mollerup, published in Forensic Science. It shows a skull injury that was common among the remains excavated from Visby, a downward cut of the sword on the left-hand side of the skull; the sword sliced through the skin and bone. Notice how clean the edges are on the top edge of the cut: the sword clearly was sharp enough to cut through the bone.
There are plenty of similar examples of missing sections of skulls, as well as severed arms and legs. All with clean cuts indicating sharp weapons. But, do these injuries indicate wide-spread use of sharpened swords? What other evidence do we have? Particularly evidence that dates to the early medieval period.
Let us start with The Anglo-Saxon Chronicle (finished around 1154): it gives the following text describing the The Battle of Brunanburh (937)
There lay many a warrior by javelins strewed,Northern man over shield shot;
So the Scots eke, weary, war-sad.
Scroll Text - Dehka - Sycamore 2022
Scroll Text - Dehka - Sycamore 2022
Kingdom of AEthelmearc - A&S Award
Scroll Text - Andriú mac Domhnaill - Fleur 2022
Scroll Text - Andriú mac Domhnaill - Fleur 2022
Kingdom of AEthelmearc - Fleur de AEthelmearc
Wednesday, June 22, 2022
Scroll Text - Baronial A&S Champion- 2022
Scroll Text - Baronial A&S Champion- 2022
Barony of the Rydderich Hael - A&S TourneyMonday, June 20, 2022
Scroll Text - Annika Iosafova - Carnelian 2022
Scroll Text - Annika Iosafova - Carnelian 2022
Kingdom of AEthelmearc - Courtesy AwardScroll Text - Hrolfr A Fjarfelli - Millrind 2022
Scroll Text - Hrolfr A Fjarfelli - Millrind 2022
Kingdom of AEthelmearc - Service AwardWednesday, May 25, 2022
9th Century Arabic Medicinal Jelly - 2022
9th Century Arabic Medicinal Jelly - 2022
Summary:
Contains:
Grapes.
Honey
Lesser, or green, cardamom
Greater, or black, cardamom
Clove
Cinnamon
Long pepper
Saffron
Introduction:
This is my third attempt at making this jelly. The first was in reaction to discovering that a popular SCA mead recipe was actually a jelly and not a beverage.[1] My first attempt used white grapes, which did not set fully, like a modern jelly or jam. The second attempt was made with black grapes, which contain higher levels of pectin. The first and second attempts followed the original recipe, in regards to how the spices were handled. This third attempt, I will pulverize the spices and mix them into the jelly rather than steep the spices in the hot liquid to extract their oils. I will also add the saffron to the hot liquid earlier to extract more flavor.[2]For this project, I used locally sourced red grapes. I picked this variety because it was what was available in my local grocery store. While this variety was locally grown, they were not of the Concord variety. I wanted to avoid using grapes that tasted like a commonly sold commercial jelly. I liked the flavor, sweet yet still a bit tart, with a lot of liquid. I do not know what varieties of grapes that were available in Iraq in the 9th century, but I would imagine that one would have used whatever was locally available.
Project:
This project is based on recipe 108 of Aqrabadhin of al-Kindi, from Martin Levey’s translation. The English translation is as follows:108. Syrups, electuaries, and others. The best resat jellies are taken in the winter for a stiff neck. It is useful, with God’s help. Ten dawarig of the best juice and pulp of the grape is taken. A dawarig is four and a half ratls. It is cooked over a low fire until its foam disappears. The the {sic} best genuine honey is put in. The proportion is one ratl of honey for every five ratls {of grape juice}. It is boiled over a low fire until its foam also disappears. One half of it evaporates. Then one dirham each is taken of lesser cardamom, cardamom. Ceylonese cinnamon, clove, and long pepper. It is well pulverized and put into a fine linen cloth. Then it is thrown into the decoction after the froth has been removed. When the cooking is over, it is possible to introduce the hand into it. The powder is macerated into it strongly. It is taken out and three dirhams of saffron put into [the liquid]. It is put into flasks and the tops are stoppered. After a little sun is allowed on it, one may use it. The older it gets, the better, God willing.[3]
It doesn’t give any dose size, or instructions on how to take. “...taken in the winter for a stiff neck”, suggests that it is rubbed on a stiff neck. This doesn’t sound correct: the end result sounds sticky and if this were a poultice, shouldn’t it at least recommend how often to change it? Other recipes, in the text, that call for poultices recommend how often to change them. My opinion was that “stiff neck” was a mis-translation and that it should be “sore throat”. That would make more sense within the context of the recipe. Although, if the text had said, “take one spoonful as needed,” it would make our job easier.
I had a conversation, about this recipe, with Baroness Sadira Bint Wassouf and she let me know that she had a few Arabic speaking students in her English as a Second Language class, and would be happy to ask one of them to take a look at the original text. I had sent her a scan of the last paragraph of the original text (the first three lines of the English text). I did not send the entire Arabic text as I did not want to take advantage of my unknown translator. The E-mail that I received back was as follows:
Dear Baron Caleb,Lady Fonoun Muthana has by deepest respect and thanks for helping. Let us dissect the recipe, line by line, and see if we can make some sense of it.
SO {sic} exciting to be a part of this because the translator was fascinated about how Arabic has changed. She checked and checked her translations. You were right!
Look at the three longer lines of text: the phrase at the far left of the first and third line are the same. They mean “If God wills” It is not the usual phrase “Inshallah” but one that has a similar meaning there is one very long word to the right of the first line that indicates the country of origin that was unfamiliar to the translator (names and borders of countries have changed). In the middle of the shorter (second line) is a shorter word that means “cough” or “sore throat” The whole thing basically says to take the medication for a cough or sore throat but that it is also good for other things such as “jerking” - maybe trembling, seizures, or palsy - and that if God wills, it will work. While it mentions curing “other things” it only gives the two examples.
Your translator is Fonoun Muthana, a brilliant young woman from Yemen who is a scholar in any language. She is an amazing person with deep curiosity about any new topic.
My own observation is that a term meaning “if God wills” is used in many food recipes as well. Everything in life is Inshallah. Although I cannot speak or read my own cultural language (Arabic), that concept is part of my very being. So Inshallah enjoy the result!
Such fun!
Sadira
“Ten dawarig of the best juice and pulp of the grape is taken. A dawarig is four and a half ratls.”
On page 25, Martin Levey tells us that one ratl is equivalent to 406.25g, with the following caveat from the author: “The weights mentioned in the text are those of ninth-century Baghdad....Very little is known of the exact weights of the units in most periods and most areas of the medieval Islamic world. The above values must, therefore, be considered uncertain subject to further research.”
1 ratl = 406.25g
45 ratls = 18281.25g
18281.25g = 40.3lbs
So, 45 ratls of grapes is about 40 pounds.
“It is cooked over a low fire until its foam disappears.”
This is somewhat, self explanatory. Cooking grape pulp does produce a lot of foam. Just put your pot off-set on your burner and the foam will move to one side of the pot, making it easier to skim off.
“The the {sic} best genuine honey is put in. The proportion is one ratl of honey for every five ratls {of grape juice}. It is boiled over a low fire until its foam also disappears. “
I do not know what is meant by “genuine” honey. Surely they didn’t have HFC/honey blends. Perhaps this could mean the best honey off of the comb. Or honey that hasn’t been watered down. Perhaps it should have read “fresh” honey, instead of “genuine.”
1 ratl of honey for each 5 of grapes.
45 / 5 = 9 ratls of honey
9 ratls = 3656.25g
3656.25g = 8.1lbs
“One half of it evaporates.”
The recipe calls for cooking the “must” until it stops foaming up and until it is reduced by half. Reducing 48 pounds of juice, pulp, and honey by half would take a long time. The low heat would let the mixture cook down without destroying the natural pectin found in grapes. Pectin is the fruit equivalent of gluten, and allows jellies to form and hold their shape and consistency.
“Then one dirham each is taken of lesser cardamom, cardamom. Ceylonese cinnamon, clove, and long pepper. It is well pulverized and put into a fine linen cloth. Then it is thrown into the decoction after the froth has been removed.”
1 dirham is 3.125g or 0.11 ounces.[5]
Take 0.11 ounces of the following:
Lesser, or green, cardamom,
Greater, or black, cardamom,
Clove,
Cinnamon,
Long pepper.
Smash or coarsely grind them and put them in a cloth tea bag, or infuser ball, and drop into the liquid.
There are three varieties of cardamom: lesser, greater, and white. White cardamom, comes from China and my sources state that it lacks the sharp flavor of the other two varieties but it adds aroma. I was unable to find any reference to white cardamom in medieval Middle Eastern recipe books, so I will assume that the second cardamom required must be greater cardamom.
“When the cooking is over, it is possible to introduce the hand into it. The powder is macerated into it strongly. It is taken out and three dirhams of saffron put into [the liquid].”
I think that this was translated out of sequence. It doesn’t flow correctly. Are we to reduce the “must” by half, remove it from the heat, and then add in the spices just long enough for the “must” to cool down enough so that you wouldn’t burn your hand? To my mind, we are told to let it cool to bath temperature before adding the saffron. 0.33 ounces of saffron threads, not powder, please. But I think that the spices, in the bag, would be more effective if they were included throughout the cooking.
“It is put into flasks and the tops are stoppered. After a little sun is allowed on it, one may use it.”
I read this as after the “must” cools completely, move it to containers that can be sealed. The word flask implies a narrow-necked container designed for liquids. But that would not be useful for a jelly. Any wide-necked container would work. Seal the container to keep bugs, yeast, or microbes out of it, and let it sit in the sun until the jelly firms up.
“The older it gets, the better, God willing.”
People who make and preserve their own jams and jellies will tell you that jars that have been “put up” for a few months, taste better than freshly made jams and jellies.
My redaction:
Take 40 pounds of fresh squeezed grape juice and pulp and place it into a non-reactive pot over low heat. Take 8.1 pounds of honey, wildflower is fine, and add it to the grape pulp. Bring up to a low boil and skim any foam from the surface. Cook until it no longer foams up. Place the pot off center on the burner so that the foam collects to one side of the pot. Cook until it reduces by half, stirring regularly so that the sugars do not burn. While the liquid is reducing, put 0.11 ounces of the following into a spice bag or a tea ball: green cardamom seeds; black cardamom seeds, cinnamon, cloves, and long pepper: all coarsely ground or crushed. Add the spice bag into the liquid. Once the liquid has reduced by half, remove from the heat and allow to cool enough so that you can put your hand into it without burning yourself. Remove the spice bag and add in 0.33 ounces of saffron threads, the good stuff. No need for a spice bag. Move into a container, or containers, that can be stoppered shut, and place it/them in a warm area. If you have a clean, brewing carboy, that will work. Leave the container(s) for a couple of hours until the jelly firms up and sets. Move into mason jars and either park in the ‘fridge or “can” them so that they will not spoil.48 pounds of jelly is a lot of jelly. Unless you know how to preserve, and have all of the necessary equipment, this might be a bit too much for one person to deal with.
This project:
In order to experiment with this recipe, I decided to reduce the amounts to a more manageable level. We will start out with 1/16th of the amounts mentioned in the recipe.I used:
2.5 pounds of red, seedless grapes
12 ounces of wildflower honey.
1 pod of greater, or black, cardamom,
The equivalent volume of:
Lesser, or green, cardamom,
Clove,
Cinnamon,
Long pepper.
A pinch of Sargol saffron.
I started off trying to figure out what 1/16th of 0.11 ounces would be.[6] I was unsuccessful. So I guessed. My container of greater cardamom was 0.5 ounces. I selected one pod and declared that to be the right amount. I then tried to match up the volume, by eye, of the other spices.
I chose to use Saigon cinnamon because I like the sweet taste of the region and the brand, I that ordered, was USDA certified organic, which not only means that the trees were grown without the use of pesticides or chemicals, but that it is certified to be Cinnamon loureiroi, and not bark from any other tree. Pease use fresh spices, not pre-ground. The cloves I had in the house, nothing special about them. The saffron was a gift from family friends who brought back a lot of it from Kuwait. The cardamoms and the long pepper were purchased for the original jelly project.
Like my previous attempts, I toasted the spices, except for the cinnamon, in a frying pan before moving them to my spice grinder.[7] The heat amped up the flavors of the spices. The recipe does not call for this step, but it certainly is something that could have been done to enhance the flavor of the spices. And this might explain why such a small amount of spice was called for such a large amount of grapes. I was a little concerned about the amounts required: 0.11 ounces for 48 pounds of grape and honey? Surely that couldn’t be enough. But, when I roasted the spices my kitchen was filled the aroma of far away lands. I cooked the spices just long enough to darken the exteriors.
The previous two attempts I lightly crushed the spices in a linen spice bag with the intent to only extract the oils from them. For this attempt I wanted the full flavor of the spices to be front and center in the finished jelly. I put all of the spices into my spice grinder and blitzed them until they were power. Then poured the powder into the pot. I blitzed the cardamom in their pods to get all of their flavor. I also added the saffron to the hot liquid when I added the powered spices. In the previous two attempts, no hint of saffron could be detected when it was added while the liquid was cooling. Perhaps a longer cook time would enhance the saffron’s contribution.
I was going to use wine grapes, but I wasn’t looking forward to peeling the skins off a couple of pounds of them. Then I realized that while wine grapes have thick skins,[8] grapes grown for out-of-hand snacking have thin skins. And no seeds. I saw no reason why I couldn’t throw 2.5 pounds of seedless grapes into my food processor and turn them into a puree. If I had the kitchen of my 9th century counterpart, I would have plenty of servants to de-seed, peel, and smash as many grapes as I wish. The food processor is stepping in for the kitchen staff of a noble.
I converted the grapes into a slurry, moved it to my pot, then added in the honey. The honey was pasteurized and filtered and I saw no reason to add it in only after the grape slurry stopped foaming up. I used wildflower honey because that is what I had in the house. I will not take the time, in this paper, to explain my opinion of honey farming in the middle ages, except to say that the bee industry of today, which can move hives from one field of mono-crops to another, did not exist in the SCA time period: hives were near farm lands and gardens and a variety of crops were grown simultaneously. This means that the bees, which collected nectar from every available source, produced a blend of honey, not a singular variety. Clover or wildflower honey, I feel, is closer to period honey, than buckwheat, rosemary, apple wood, sage, lavender or other specific varieties.
I also increased the amount of honey from my previous two attempts; from 8 ounces to 12 ounces, or one small bear.[9] I did this for three reasons: 1) The grapes I used were more tart than the grapes I used in my two previous attempts and I wished to increase the sweetness. 2) I wanted to see if increasing the sugar would help the jelly better set. 3) I did not want to keep 4 ounces of honey in my pantry: it is already filled with mostly empty honey containers.[10]
I turned the burner to medium-high and started stirring. My stove is electric and I do not think that, for this dish, there would be a difference between gas, electric, or an open fire. Nor do I think that my ceramic-lined iron pot adds or takes away from any period cooking vessel. After about 15 minutes, I had collected all of the foam and scum from the surface of the liquid, or pushed it up onto the sides of the pot. I then added my spice powder and saffron. I used a silicone spatula with serrations on one side; I used those serrations to measure the depth of the liquid and to tell me when I hit the half way mark. I backed the temperature down to medium, as medium-high was causing the liquid to boil too hard. It took about 45 minutes to reduce down by half. I turned the heat off and let it sit for 15 minutes.
I let the proto-jelly sit for another 20 minutes before moving to a Rubbermaid container.[11] I was going to use mason jars, as I did in my previous attempts, but I had not purchased new lids for the jars that I already had. The proto-jelly filled up most of a 2 quart container. The container sat on the counter for another hour, and then was moved into the refrigerator.
When I put the proto-jelly into the container, it had the consistency of apple sauce. After an hour, it had firmed up into a jelly, but not as firm as a store bought jelly, or a home-made one with added pectin. But, still firm enough to be scooped up with a fork and firmer than the first attempt in which I had used white grapes. After a day in the ‘fridge, it had achieved a decent jam like consistency. Technically, this would be a jam and not a jelly since I left the skins in the mix.
As to flavor: quite nice. It does have the consistency of chunky grape jelly,[12] with the skins giving it a nice texture and an almost crunch. More like a home-made preserve of jam than a modern jelly. The cinnamon and cardamom play well together, giving the jelly a rich, peppery-cinnamony taste. The cloves are there, but they take a back seat to the other spices, giving a nice numbing burst in the back of the mouth and throat. The saffron, like in the first two attempts, is lost under the other spices. It is tasty off of a fork as well as spread on toast. This jelly is not as sweet as store-bought jelly, since the only sugar in it came from the honey and the grapes. It is less sweet than Welch’s No Added Sugar grape jelly, most likely because Welch’s uses a variety of high sugar content grape for their jelly. Unfortunately, I no longer have any of the first two attempts left for comparison: I had eaten all of the first attempt and the last of the second attempt got contaminated and mold started to grow on the surface, and I had to discard it.
The flavor of this attempt is more intense than the first two attempts; due to the integration of the spices into the jelly. My first two attempts had the spices contained in a linen spice bag, like the original recipe states. I surmise that the period jelly would have had a more intense flavor due to a longer cook time. It took about an hour or so to cook my jelly down by half. The original recipe called for 40 pounds of grapes and 8 pounds of honey. It would have taken several hours to cook it down by half. Several hours of cooking would have extracted more oils and flavors from the spices. I am uncertain of the saffron, though: there isn’t enough to color the jelly[13] and it is undetectable under the cardamom, cloves, and long pepper. I don’t know why it was added. I do not think anyone would notice it’s absence. Perhaps it was added for some medicinal purpose that was not mentioned in the recipe.
Since no dosage is listed, I cannot tell you how much to take for a sore throat. One thing that peeked my curiosity was the size of this recipe. 2.5 pounds of grapes, and etc, filled a 2 quart container three quarters of the way up. If I had used the original amounts, I would have filled about 40 mason jars. This is a lot of jelly. Particularly for a cough remedy. Was the sick person expected to eat it 3 meals a day? Or was the expectation that if one person, in the household, got sick, everyone in the household would as well, so make enough for a whole family.
Aside from coughs and sore throats, this jelly is delicious. I found very similar jelly recipes on the Internet, although none with the same mixture of spices. These types of jellies are used as the filling for a number of deserts. I found one called, “Baghdad Lasagna” which calls for a jelly made of apples, quinces, honey, saffron, sumac, and rosewater, layered between filo dough. My cough remedy would work equally well as a desert. I can report that it plays well with peanut butter and I recommend equal amounts of chunky peanut butter and this jelly on a toasted bagel.
I do not know how effective this would be as a sore-thoat aid; the cloves would provide a numbing affect and the smooth jelly base would help as well. I don’t think that this would be as effective as a cough drop,[14] but if your throat hurt so much that you had trouble swallowing food, this would be a good treatment to keep you from staving. Much like ice cream is given to kids after tonsillectomies. I would imagine that the spices were put into a spice bag so that there were no chunks of spices in the jelly that could scratch one’s throat. But, with my electric spice grinder I was able to turn my spices, including my cinnamon into fine dust.
[1] Ronsen, 2019
[2] One could say that my project is jam-packed with spices.
[3] p120-2
[4] Goldstein, p43.
[5] Levey, p25
[6] 0.0069 ounces
[8] You can insult them all day long and all they will do is let out a little wine.
[9] It irritates me that honey is sold in bear shaped containers and not bee shaped containers. Bears do not make honey. They aren’t even wearing bee-keeping outfits.
[10] All bears. No bees.
[11] I needed to clean and sterilize the container.
[12] It is not silky smooth like store-bought jellies, since I scooped it into the jars and did not inject it under pressure.
[13] Certainly not with red grapes.
[14] Of which we do have recipes from this time period.
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